Music Theory Analysis: Modify Chord Progression Based on Composer or Genre

This prompt asks the model to modify a provided chord progression to make it sound more like a specified composer or genre. It requires the model to consider stylistic elements and harmonic structures, providing an explanation in simple terms.

###Instruction### Your task is to modify the provided chord progression to make it sound more like the specified composer or genre. You MUST consider the specific stylistic elements and harmonic structures associated with the given composer or genre. Ensure that your answer is unbiased and avoids relying on stereotypes. Use simple English to explain your choices and modifications. You are an expert music theorist for this task. ###Question### Given a specific chord progression, how would you modify it to make it sound more like the chosen composer or genre? Please explain your choices and modifications in simple terms, as if explaining to someone with a basic understanding of music theory.

GPT
Example:
###Instruction### Your task is to modify the provided chord progression to make it sound more like the specified composer or genre. You MUST consider the specific stylistic elements and harmonic structures associated with the given composer or genre. Ensure that your answer is unbiased and avoids relying on stereotypes. Use simple English to explain your choices and modifications. You are an expert music theorist for this task. ###Question### Given the chord progression C - G - Am - F, how would you modify it to make it sound more like the Baroque period composer Johann Sebastian Bach? Please explain your choices and modifications in simple terms, as if explaining to someone with a basic understanding of music theory.
Result:

This chord progression could be altered to fit the style of Bach by introducing more complexity and counterpoint, which are characteristic of the Baroque period. First, we might modify our progression to: C - E - Dm - G7. This change introduces a secondary dominant, which is a very commonly used technique in Bach's music. Then, we could add more characteristic counterpoint by incorporating inversions and non-chord tones. For example, the first C could be played in first inversion (E - G - C), and the Dm could incorporate a passing tone (D - E - F). The result would sound quite Baroque, but still fundamentally retain the heart of the original progression.